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Adam Bede by George Eliot

Thinking slightly of David's vocalization


Poyser would probably have brought her rejoinder to a further climax, if every one's attention had not at this moment been called to the other end of the table, where the lyricism, which had at first only manifested itself by David's sotto voce performance of "My love's a rose without a thorn," had gradually assumed a rather deafening and complex character. Tim, thinking slightly of David's vocalization, was impelled to supersede that feeble buzz by a spirited commencement of "Three Merry Mowers," but David was not to be put down so easily, and showed himself capable of a copious crescendo, which was rendering it doubtful whether the rose would not predominate over the mowers, when old Kester, with an entirely unmoved and immovable aspect, suddenly set up a quavering treble--as if he had been an alarum, and the time was come for him to go off.

The company at Alick's end of the table took this form of vocal entertainment very much as a matter of course, being free from musical prejudices; but Bartle Massey laid down his pipe and put his fingers in his ears; and Adam, who had been longing to go ever since he had heard Dinah was not in the house, rose and said he must bid good-night.

"I'll go with you, lad," said Bartle; "I'll go with you before my ears are split."

"I'll go round by the Common and see you home, if you like, Mr. Massey," said Adam.


aye!" said Bartle; "then we can have a bit o' talk together. I never get hold of you now."

"Eh! It's a pity but you'd sit it out," said Martin Poyser. "They'll all go soon, for th' missis niver lets 'em stay past ten."

But Adam was resolute, so the good-nights were said, and the two friends turned out on their starlight walk together.

"There's that poor fool, Vixen, whimpering for me at home," said Bartle. "I can never bring her here with me for fear she should be struck with Mrs. Poyser's eye, and the poor bitch might go limping for ever after."

"I've never any need to drive Gyp back," said Adam, laughing. "He always turns back of his own head when he finds out I'm coming here."

"Aye, aye," said Bartle. "A terrible woman!--made of needles, made of needles. But I stick to Martin--I shall always stick to Martin. And he likes the needles, God help him! He's a cushion made on purpose for 'em."

"But she's a downright good-natur'd woman, for all that," said Adam, "and as true as the daylight. She's a bit cross wi' the dogs when they offer to come in th' house, but if they depended on her, she'd take care and have 'em well fed. If her tongue's keen, her heart's tender: I've seen that in times o' trouble. She's one o' those women as are better than their word."

"Well, well," said Bartle, "I don't say th' apple isn't sound at the core; but it sets my teeth on edge--it sets my teeth on edge."

Chapter LIV

The Meeting on the Hill

ADAM understood Dinah's haste to go away, and drew hope rather than discouragement from it. She was fearful lest the strength of her feeling towards him should hinder her from waiting and listening faithfully for the ultimate guiding voice from within.

"I wish I'd asked her to write to me, though," he thought. "And yet even that might disturb her a bit, perhaps. She wants to be quite quiet in her old way for a while. And I've no right to be impatient and interrupting her with my wishes. She's told me what her mind is, and she's not a woman to say one thing and mean another. I'll wait patiently."

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