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The Barnet Book of Photography A Collection of Practical Articles

When shutter exposures are being given


In

arranging the furniture be careful that round or oval objects are not placed so that they appear on the edges of the plate which gives them an exaggerated appearance.

In exposing on all such interiors I would strongly recommend a very full exposure, the object being to flatten the subject. A great thing to study in this branch of work is the careful lighting of your subject. This can be largely varied by the use of the inside blinds, also by the sun blinds found outside many windows. It is _not_ advisable to draw the blinds up to their fullest extent. By so doing you accentuate your cast shadows thrown by tables, chairs, etc. In fact, the softer the light in the room coupled with a corresponding exposure, the better the result. Another point to notice is that a comparatively dull day is often the best for interior work, the light being much softer and subdued. As a slight guide to exposure I would suggest that an additional twenty-five per cent. be added to that recommended for church work.

_John H. Avery._

_The Hand Camera and its use._

[Illustration]

What is the best form of hand camera? How often this question is asked, and yet how impossible to give any definite reply, the conditions of use, and requirements of each worker being

so widely different. One, desires a form of apparatus, capable of being closed up into the smallest space, weighing but the least possible number of ounces, the necessary movements, confined to touching a spring, or pressing a button, and the total cost not to exceed two or three pounds, while others do not care so much as to its possessing these qualities, if by a little increase in bulk, weight, and cost, it is capable of use in a less restricted manner, on subjects of wide variety, and under such conditions of light, and atmospheric effects, as, when shutter exposures are being given, call for the _maximum light passage_ to the plate.

Assuming the camera to be intended exclusively for use without a tripod, then it becomes not a difficult matter to point out its essential features. First and foremost, it should be characterized by simplicity in construction, and every part be easily accessible, complicated movements being rarely found necessary, except perhaps, to raise the price of the instrument. When being employed in the field, the camera and its working parts ought not to need the slightest consideration, each movement, whether they be few, or many, being made, without requiring troublesome attention at the moment when every thought should be devoted to the subject.

The component parts of an instrument, complete and effective for this class of work, may be taken to be a good lens capable of covering at _f_/8, a shutter, some simple means of focussing, adequate finders, and the means of carrying plates either in some form of magazine, or ordinary dark slides.


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