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A CATALOGUE OF SCULPTURE IN THE DEPARTMENT OF GREEK AND ROMAN ANTIQUITIES, BRITISH MUSEUM.
by
A. H. SMITH, M.A.,
Assistant in the Department of Greek and Roman Antiquities, in the British Museum.
VOL. I.
London: Printed by Order of the Trustees. 1892.
London: Printed by William Clowes and Sons, Limited Stamford Street and Charing Cross.
PREFACE.
The present volume by Mr. Arthur Smith, Assistant in the Department of Greek and Roman Antiquities, includes the sculptures of the Archaic period: those of the Parthenon and other Athenian buildings; the remains of the temple at Phigaleia; the Greek reliefs, and some other sculptures which, though produced in Roman times, yet represent Greek originals of the great age.
In the section which deals with the sculptures of Athens much has been retained from Sir Charles Newton's _Guide to the Elgin Room_, Pts. I.-II. While adding the results of more recent research, Mr. Smith has contributed on his part interesting material.
The sculptures of the archaic period have of late years been the subject of much discussion; the results of these discussions, as they apply to the collection of the British Museum, have now been brought together and summarized.
The Greek reliefs, which form an important section of the present volume, belong to a class of sculptures which have produced much difference of opinion as to the subjects represented by them. Mr. Smith has stated briefly the principal views, by way of introduction to the several classes of reliefs.
A. S. MURRAY _3rd December, 1891._
CONTENTS OF VOL. I.
PAGE
EDITOR'S PREFACE iii
TABLE OF CONTENTS v
TABLE OF ABBREVIATIONS vii
INTRODUCTION 1
Table of contents (by pages)
- 1: A Catalogue of Sculpture in the Department of Gree
- 2: 7 21 16 lydia
- 3: Deutschen Archaeologischen Institut
- 4: Deutschen Archaeologischen Instituts
- 5: Von Carl Friederichs neu bearbeitet von Paul Wolters
- 6: Charles Townley gave two marble fountains 15 in 1786
- 7: From which Townley made numerous purchases
- 8: To excavate the sites of the Mausoleum at Halicarnassos
- 9: Sixth Viscount Strangford 1783 1855
- 10: 17 Greek Inscriptions in Brit
- 11: Fragment from the 'Treasury of Atreus' at Mycenae
- 12: Fragment from the 'Treasury of Atreus' at Mycenae
- 13: And this agrees well with the epigraphical evidence
- 14: The figure wears a long chiton
- 15: The figure wears a chiton with sleeves
- 16: The fine folds of the upper part of the chiton are indicated
- 17: In one of the tumuli at Bin Tepe
- 18: For the reconstruction of the archaic temple
- 19: 'King Croesus dedicated the column
- 20: But must have come from a rectangular base
- 21: In front the greaved left leg of a Lapith
- 22: Lower part of cuirass of Lapith worn over a short tunic
- 23: A corner of drapery falls on the thigh
- 24: Upper part of helmeted head with vizor raised
- 25: The figure wore a short chiton
- 26: Compare the Harpies on the Harpy Tomb
- 27: Perhaps derived from the cornice
- 28: Male figures have also been occasionally found
- 29: And cut off square at the nape of the neck
- 30: Androsphinx seated on a plinth
- 31: The discoverer revisited Xanthos in 1840
- 32: With its forepaws across the paws of the lioness
- 33: Built into the walls of the Acropolis at Xanthos
- 34: Left hand holds an edge of the himation
- 35: Wolters in Jahrbuch des Arch
- 36: As is recorded in a drawing by Scharf
- 37: She is adorned with stephane and bracelets
- 38: The warrior has a short chiton
- 39: Or Zeus viewed under a triple aspect Curtius
- 40: Maidens make offerings to female deities
- 41: Naucratis was a colony of Greeks
- 42: Portions of palmette and lotus patterns of elaborate design
- 43: Upper part of a statuette of a warrior
- 44: Upper half of female statuette wearing close fitting drapery
- 45: The plinth has dowel holes at each side
- 46: From the oldest temple at Selinus
- 47: Further literature is cited by Wolters
- 48: A minute analysis of the sculptures Brunn
- 49: Beschreibung der Glyptothek Koenig Ludwig's I
- 50: Brunn proposes the name of Ajax
- 51: The lion's head engraved by Cockerell pl
- 52: It is thus drawn by Cockerell
- 53: See Ausgrabungen zu Olympia
- 54: Torso from the neck to the knees
- 55: Having been found in the temenos of Aphrodite
- 56: Whence other copies are derived Athenische Mittheilungen
- 57: Fragment of lacunar nearly similar to preceding
- 58: Quam est ille discobolos Myronis
- 59: Pheidias and the sculptures of the parthenon
- 60: Important modifications have been proposed by Doerpfeld
- 61: And at each side has been a Pegasos
- 62: Copied from the statue of Athene Parthenos
- 63: Behind the throne of Zeus is Hephaestos
- 64: For Sauer's examination of the pediment
- 65: The Choragic monument of Lysicrates No
- 66: Worshipped in Attica under the names Thallo
- 67: Cast of a torso of Hephaestos or Prometheus
- 68: Carrey gives no indication of wings
- 69: If the triad near Selene are the Three Fates
- 70: Western pediment of the parthenon
- 71: The figure is popularly known as the Ilissos
- 72: 193 to recognise in him Asclepios
- 73: If B and C are Cecrops and one of his daughters
- 74: And a portion of the chlamys evidently passed round this arm
- 75: And in Athenische Mittheilungen
- 76: The name Leucothea seems the best attribution
- 77: Ilissos or Kephissos and Callirrhoe
- 78: Carrey was only able to sketch the metopes of the south side
- 79: The right forearm of the Lapith
- 80: The Lapith is kneeling on his right knee
- 81: Which represents a Lapith armed with a shield
- 82: The Lapith lies on his chlamys
- 83: The countenance of the Lapith expresses bodily pain
- 84: Carrey only made drawings of the west end
- 85: Which Pericles tried to collect at Athens without success
- 86: On his brooch was an amber figure of Athene
- 87: Who attended the Canephori with stools diphroi
- 88: And then at the head of that procession are Canephori
- 89: 6 wears a chiton with diploidion
- 90: The arrangement of Flasch is happier
- 91: 27 standing behind Hera must be either Nike or Iris
- 92: This view is opposed by Flasch
- 93: Flasch with more probability makes this goddess Demeter
- 94: By the winged boy Eros who stands at her knee
- 95: Used for sacrificial libations
- 96: When drawn by Carrey and Stuart
- 97: This slab was not drawn by Carrey
- 98: Each quadriga is accompanied by a marshal
- 99: Which was also drawn by Carrey
- 100: Is assigned by Michaelis to slab xxviii
- 101: The chiton may have either one girdle
- 102: Restored from Stuart from Michaelis
- 103: His body is protected by a cuirass
- 104: A chiton girt at the waist and a chlamys
- 105: The horsemen of this slab all wear chiton
- 106: These cuirasses also have shoulder straps
- 107: Leaping off and on to the quadriga during the race
- 108: Michaelis inserts to represent slab xxviii
- 109: Although the slabs were complete in the time of Carrey
- 110: Only the Museum Marbles and the work of Michaelis
- 111: Museum Mansell's Early Drawings
- 112: Photo graphs
- 113: Marble fragments attributed to the pedimental sculptures
- 114: Broken off above the elbow Michaelis
- 115: And afterwards into that of Laborde
- 116: Attributed by Michaelis to the west pediment fig
- 117: To which the fragment has been attributed by Overbeck
- 118: Possibly from the west pediment
- 119: Left hindleg from stifle to below hough
- 120: Casts from fragments of metopes
- 121: The Lapith holds the fallen Centaur by the hair
- 122: This fragment agrees fairly well with Carrey
- 123: Which is not noticed by Michaelis
- 124: Michaelis engraved this head
- 125: Casts from two fragments of acroteria
- 126: Sculptures of the temple called the theseion
- 127: Tried to prove that this was not the Theseion
- 128: Casts of the metopes of the theseion
- 129: The Lapith wears a crested helmet
- 130: Most of the figure of the seated Lapith
- 131: His dress is a chiton heteromaschalos
- 132: Cover from panel of lacunar of the Theseion
- 133: They have been called Canephori see p
- 134: Architecture of the erechtheion
- 135: Found on the north side of the Erechtheion
- 136: Part of coffer of east portico of the Erechtheion
- 137: For further references see Wolters
- 138: The chiton is sometimes worn on both shoulders
- 139: And wears the Persian headdress
- 140: All the materials are collected by Kekule
- 141: The choragic monument of lysicrates
- 142: The form of Dionysos is becoming softer and more effeminate
- 143: In his right hand he holds a thyrsos
- 144: This Satyr is nude and bearded
- 145: Though it is drawn as beardless by Lusieri
- 146: Originally decorated a choragic monument
- 147: Capital of Doric column from the Propylaea
- 148: Probably purchased by Inwood at Athens
- 149: And the Cypriote sculptures in the Cyprus Room
- 150: As compared with that of Pheidias
- 151: Like the Diadumenos of Vaison No
- 152: Found with a companion bust of an Amazon Comparetti
- 153: About five miles from Phigaleia
- 154: Plan of the Temple of Apollo at Phigaleia
- 155: Elgin and Phigaleian Marbles
- 156: Give the height of the metopes
- 157: Literature relating to the Frieze
- 158: A Centaur carries away a Lapith woman
- 159: The Lapiths wore metal sword belts
- 160: The Amazon wears a similar chiton
- 161: The Amazon resists using her weight
- 162: It is inferred that the statue was acrolithic
- 163: The composition is suitable to a figure of Asclepios
- 164: Heads of Pelops and Hippodamia
- 165: The Greek sepulchral reliefs are of several distinct types
- 166: Especially the palmette between volutes
- 167: Greek hydria or Greek kalpis
- 168: Carrying a pomegranate or a cock
- 169: For votive reliefs to Asclepios
- 170: Or the statuette of the hunter of Naucratis No
- 171: Epikydes Asklepiodorou Olynthios Asclepiodoros
- 172: With central palmette and two half palmettes
- 173: Richly draped in a chiton and himation
- 174: Sepulchral monument of Xanthippos
- 175: Probably the children of Kephisophon
- 176: And a knotted himation bordered with a fringe
- 177: Draws her peplos over her shoulder with her left hand
- 178: Purchased from the Besborough Coll
- 179: Surmounted by a pediment with acroteria
- 180: A pediment with rosettes and acroteria
- 181: By Spon in 1676 and by Fourmont in 1720
- 182: Wearing a sleeved chiton and mantle
- 183: Body of sepulchral amphora of Timophon
- 184: Sepulchral lekythos with relief
- 185: Sepulchral lekythos with relief
- 186: Sepulchral lekythos with relief
- 187: Recording honorary decrees to Democles
- 188: Above is a pediment with acroteria and rosettes
- 189: One holds up a rhyton terminating in a ram's head
- 190: The relief is bounded by pilasters and an entablature
- 191: Inscribed Greek Hermias Athanionos
- 192: Which probably contained the inscription Greek Ho demos
- 193: And holds up a rhyton in his right hand
- 194: Kalon kai agathon kai kalos ezokota
- 195: For the collection of sculptures from Kertch
- 196: A male figure reclines on a couch
- 197: And greaves attached to the trunk of a tree
- 198: Pegasos has the mane tied in a topknot between the ears
- 199: Appears to have contained either a sacrificial group Scharf
- 200: With the bilingual inscription
- 201: 772 is roughly copied from the Athene Parthenos of Pheidias
- 202: Both figures wear a long chiton with sleeves
- 203: Votive relief representing an offering to Apollo
- 204: Each wears a chiton and chlamys
- 205: Kybele seated within a distyle temple
- 206: Representing offerings to Eileithyia
- 207: Was the son of Apollo and Cyrene
- 208: Inscribed Greek Eutychis hypsisto euche n
- 209: Inscribed Greek Tertia hypsisto euchen
- 210: A situla is sculptured in low relief
- 211: Guide to Graeco Roman Sculptures
- 212: And a himation closely confined
- 213: Illustration VIEW OF THE LION TOMB AT XANTHOS
