THE AUGUSTAN REPRINT SOCIETY
JOHN OLDMIXON
AN ESSAY ON CRITICISM
(1728)
_INTRODUCTION_ BY R. J. MADDEN, C.S.B.
PUBLICATION NUMBER 107-8 WILLIAM ANDREWS CLARK MEMORIAL LIBRARY UNIVERSITY OF CALIFORNIA, LOS ANGELES 1964
INTRODUCTION
John Oldmixon's _Essay on Criticism_, like his _Reflections on Dr. Swift's Letter to the Earl of Oxford, about the English Tongue_,[1] provides evidence to support Dr. Johnson's description of its author as a "scribbler for a party," and indicates that Oldmixon must have been devoted to gathering examples of what appeared to him to be the good and bad in literature.
The story of the appearance of the _Essay on Criticism_ in 1728 should begin in 1724, when Oldmixon published in one volume his _Critical History of England, Ecclesiastical and Civil_. Dr. Zachary Grey's criticism of this book was answered by Oldmixon in 1725 in _A Review of Dr. Zachary Grey's Defence of our Ancient and Modern Historians_. In 1726 a two-volume edition of the _Critical History of England_ appeared with the 1725 edition of the _Review of Dr. Zachary Grey's Defence_ appended to the first volume. In the preface to the second volume of the _Critical History_ Oldmixon referred to the _Essay on Criticism_, stating that it was ready for the press, but that since it would have made the second volume too large, it would be published at a later date. The _Essay_, he stated, was to prepare the public for his translation of Abbe Bouhours' _La ManiA"re De Bien Penser_. It was not, however, until 1728 that the _Essay_ reached the public. Besides appearing separately, it was appended, in place of the now removed answer to Dr. Grey, to the "third" edition of the _Critical History_.[2] There is no reference to the addition of the _Essay_ in the preface to the first volume, but its appearance and addition is referred to in the preface to the second volume.
Oldmixon seems to have had more than one purpose for writing the _Essay_; one of them is made quite clear in the second paragraph:
I shall not, in this _Essay_, enter into the philosophical Part of Criticism which _Corneille_ complains of, and that _Aristotle_ and his Commentators have treated of Poetry, rather as _Philosophers_ than Poets. I shall not attempt to give Reasons why Thoughts are _sublime_, _noble_, _delicate_, _agreeable_, and the like, but content my self with producing Examples of every Kind of right Thinking, and leave it to Authors of more Capacity and Leisure, to treat the Matter _A Fond_, and teach us to imitate our selves what we admire in others.
The remarks concerning the English need for guidance in "right thinking" are obviously intended to prepare a public for Oldmixon's translation of Bouhours' _La ManiA"re De Bien Penser_. Following the method of Bouhours, who was in turn following Longinus, Oldmixon gives examples from English literature of the various divisions of "right thinking" and, also like Bouhours, he includes specimens of failures in this art. The bad examples he presents provide ample evidence that the Essay was also serving a Whig polemical purpose, for they are drawn from such writers as Clarendon, Pope and, in particular, Laurence Echard. The tone and nature of Oldmixon's remarks on Echard, whose History he had already criticized at length in the second volume of the _Critical History_, can be seen in this explanation of his general treatment of that author:
Table of contents (by pages)
- 1: An Essay on Criticism by John Oldmixon
- 2: Among the porpoises in Chapter VI of Peri Bathous
- 3: Oldmixon was less prominent in the 1728 edition Dunciad A
- 4: Not to mention the French Criticks
- 5: Such Criticks need not be in Pain
- 6: That a severe Critick may find a Colour for his Severity
- 7: For a most judicious and formidable Critick
- 8: And the aukward Beaux to the insipid Poets
- 9: Yet neither of them ever wrote a Tragedy or Epick Poem
- 10: Macer and Mundungus are taken from Mr
- 11: These Criticks fall upon a Play
- 12: By which we may discover a Critick
- 13: Than Judgement Nothing requires so much Sense
- 14: Collier knew better than Menage
- 15: To make it answer Father Bouhours 's Remarks
- 16: Waller 's upon the Holy Scriptures
- 17: Waller says to the Duke of Monmouth
- 18: The two Verses quoted out of Horace Si fractus
- 19: To the Greatest of his Captains Parmenio
- 20: Ilia mihi semper presenti dura NeA ra
- 21: When I set My blest Eyes on Amoret
- 22: Sidley has that prevailing gentle Art
- 23: Alluding to his gallant Poems upon Sacharissa
- 24: Both glorious Brightness and great Terrour bred
- 25: Palamon and Arcite Uprose the Sun
- 26: And several other Classicks in the Arabick Tongue
- 27: And Dorick Pillars overlaid With golden Architrave
- 28: Dryden 's fruitful Imagination
- 29: Echard writes his Oxcellency for his Excellency
- 30: What is Stormy and Tempestuous
- 31: Would have followed Littleton
- 32: As to overset a Cockboat or a Wherry
- 33: Malherbe began it before they had a Being
- 34: The French are as much better Criticks
- 35: What a polite Critick may do if he pleases
- 36: Doctor Felton in Praise of Criticism tells us
- 37: Which took as much as Pradon 's in France
- 38: Cowley applied himself to Poetry
- 39: One of the greatest Criticks of our Nation
- 40: Felton calls Presbyterian Crudity
- 41: And turning the Epick Stile into Elegiack
- 42: Which are a principal Part of Epick Poetry
- 43: I1 4I I I IEuroI a1 2 I cubedI?I?I
- 44: And am not asham'd to do as Menage did
- 45: MILTON's Fire is like a Furnace
- 46: When he recommended him to us as a Critick
- 47: And that is Meanness which falls naturally into Burlesque
- 48: The first Couplet is against Wine Inflaming Wine
- 49: Busby would not allow of Notes
- 50: Of those that do by the Classicks
- 51: Whatever Advantages we have had of the Antients
- 52: Les plus Doctes des Anglois moderns
- 53: Than those we meet with in the Colloquium
- 54: Some other Epithet should be thought of for Dryden
- 55: That if there's a Pun in the Paradice Lost
- 56: But we have already explained what they mean by Raillery
- 57: And these are your Etymologists and your Orthographists
- 58: And too good of Clarendon 's History
- 59: But are extreamly proper to move Horrour and Detestation
- 60: QnA libet changed to quA libet Et Vini bonitas
