This text is intended for users whose text readers cannot use the "real" (unicode/utf-8) version of the file. Greek has been transliterated and shown between +marks+, and the "oe" character has been unpacked into separate letters.
Typographical errors are listed at the end of the text, along with alternative readings for some of the longer quotations.]
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The Augustan Reprint Society
JOHN OGILVIE
An ESSAY on the LYRIC POETRY of the ANCIENTS
(1762)
_Introduction by_ WALLACE JACKSON
Publication Number 139 William Andrews Clark Memorial Library University of California, Los Angeles 1970
GENERAL EDITORS
William E. Conway, _William Andrews Clark Memorial Library_ George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_
ASSOCIATE EDITOR
David S. Rodes, _University of California, Los Angeles_
ADVISORY EDITORS
Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California, Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_
CORRESPONDING SECRETARY
Edna C. Davis, _William Andrews Clark Memorial Library_
EDITORIAL ASSISTANT
Roberta Medford, _William Andrews Clark Memorial Library_
INTRODUCTION
John Ogilvie (1733-1813), Presbyterian divine and author, was one of a group of Scottish literary clergy and a fellow of the Edinburgh Royal Society. Chambers and Thomson print the following generous estimation of his work:
Of all his books, there is not one which, as a whole, can be expected to please the general reader. Noble sentiments, brilliant conceptions, and poetic graces, may be culled in profusion from the mass; but there is no one production in which they so predominate, (if we except some of the minor pieces,) as to induce it to be selected for a happier fate than the rest. Had the same talent which Ogilvie threw away on a number of objects, been concentrated on one, and that one chosen with judgment and taste, he might have rivalled in popularity the most renowned of his contemporaries.[1]
The present letters reproduced here, along with the two volumes of his _Philosophical and Critical Observations on Composition_ (London, 1774), are Ogilvie's major contributions to literary criticism. The remainder of his work, which is extensive, is divided almost equally between poetry and theological inquiry. At least one of his poems, "The Day of Judgment" (1758), was known to Churchill, Boswell, and Johnson, but unfortunately for Ogilvie's reputation Johnson "saw nothing" in it.[2]
Table of contents (by pages)
- 1: An Essay on the Lyric Poetry of the Ancients
- 2: He is and shall remain a minor neoclassic theorist
- 3: To emphasize the importance of imagination
- 4: Ogilvie's criteria demand not merely a celerity of imagining
- 5: For example should not be violated
- 6: Dictionary of National Biography Oxford
- 7: An ESSAY on the LYRIC POETRY of the ANCIENTS
- 8: As the predominant Passion influenceth his actions
- 9: Touton tas eikonas tas malista ekribomenas
- 10: Quam ut Deorum laudes ac decora
- 11: Elle doit s'elever jusqu'au vrai ideal
- 12: Your Lordship will judge of the state of Lyric Poetry
- 13: That both Orpheus and Museus travelled into AEgypt
- 14: The wood born race of men when Orpheus tam'd
- 15: Footnote 29 Particularly Orpheus and Museus
- 16: Ho ana seio Kretes etektenanto
- 17: Anacreon was nearly contemporary with that Onomacritus
- 18: The countryman and rival of Sappho
- 19: There is a fine stroke of this kind in his Ode to Septimus
- 20: From so indolent and careless a writer as Anacreon
- 21: Hoi de anti ton Epon tragodidaskaloi
- 22: Footnote 56 Una cuique proposita lex
- 23: Alla TRAGIKOTATOS ge ton Poieton phainetai
- 24: The latter by the new and uncommon
- 25: Hat' emoisi philois endexia phainois 63
- 26: Anaxiphorminges humnoi tina theon
- 27: In the lyric Odes of Euripides and Sophocles
- 28: When he applies the metaphor
- 29: And when a digression is remotely similar to the subject
- 30: Nec caput uni Reddatur formae 75
- 31: Quam ut Orator sic moveatur
- 32: When we refer it to the allegorical personages of the Poet
- 33: With respect to the dress and insignia of his personages
- 34: His personifications are bold and exuberant
- 35: Either that he will fix upon new points of panegyric
- 36: Like a person dizzy with the heighth of his station
- 37: Plus de noblesse que dans Horace
- 38: In which he has professedly imitated Pindar
- 39: Dalla cui alterazione si alterano tutte
- 40: ItalianThe quotation from Gravina misspelled Gavina
- 41: Ha t' emoisi philois endexia phainoi Iliad VIII
