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A History of Indian Philosophy, Volume 1

Na p@rthag nap@rthak Footnote ref 1


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style="text-align: justify;"> Gau@dapada does not indicate his preference one way or the other, but describes the fourth state of the self as unseen (_ad@r@s@ta_), unrelationable (_avyavaharyam_), ungraspable (_agrahyam_), indefinable (_alak@sa@na_), unthinkable (_acintyam_), unspeakable (_avyapades'ya_), the essence as oneness with the self (_ekatmapratyayasara_), as the extinction of the appearance (_prapancopas'ama_), the quiescent (_s'antam_), the good (_s'ivam_), the one (_advaita_) [Footnote ref 1]. The world-appearance (_prapanca_) would have ceased if it had existed, but all this duality is mere maya (magic or illusion), the one is the ultimately real (_paramarthata@h_). In the second chapter Gau@dapada says that what is meant by calling the world a dream is that all existence is unreal. That which neither exists in the beginning nor in the end cannot be said to exist in the present. Being like unreal it appears as real. The appearance has a beginning and an end and is therefore false. In dreams things are imagined internally, and in the experience that we have when we are awake things are imagined as if existing outside, but both of them are but illusory creations of the self. What is perceived in the mind is perceived as existing at the moment of perception only; external objects are supposed to have two moments of existence (namely before they are perceived, and when they begin to be perceived), but this is all mere imagination. That which is unmanifested in the mind
and that which appears as distinct and manifest outside are all imaginary productions in association with the sense faculties. There is first the imagination of a perceiver or soul (_jiva_) and then along with it the imaginary creations of diverse inner states and the external world. Just as in darkness the rope is imagined to be a snake, so the self is also imagined by its own illusion in diverse forms. There is neither any production nor any destruction (_na nirodho, na cotpatti@h_), there is no one who is enchained, no one who is striving, no one who wants to be released [Footnote ref 2]. Imagination finds itself realized in the non-existent existents and also in the sense

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[Footnote 1: Compare in Nagarjuna's first karika the idea of _prapancopas'amam s'ivam. Anirodhamanutpadamanucchedamas'as'vatam anekarthamananarthamanagamamanirgamam ya@h pratityasamutpadam prapancopas'amam s'ivam des'ayamava sambuddhastam vande vadatamvaram_. Compare also Nagarjuna's Chapter on _Nirva@naparik@sa, Purvopalambhopas'ama@h prapancopas'ama@h s'iva@h na kvacit kasyacit kas'cit dharmmo buddhenades'ita@h_. So far as I know the Buddhists were the first to use the words _prapancopas'aman s'ivam_.]

[Footnote 2: Compare Nagarjuna's k@arika, "anirodhamanutpadam" in _Madhyamikav@rtti, B.T.S._, p. 3.]

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of unity; all imagination either as the many or the one (_advaya_) is false; it is only the oneness (_advayata_) that is good. There is no many, nor are things different or non-different (_na nanedam ...na p@rthag nap@rthak_) [Footnote ref 1]. The sages who have transcended attachment, fear, and anger and have gone beyond the depths of the Vedas have perceived it as the imaginationless cessation of all appearance (nirvikalpa@h prapancopas'ama@h_), the one [Footnote ref 2].


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