Produced by Jonathan Ingram, Lisa Reigel and the PG Online Distributed Proofreading Team
A HANDBOOK TO THE WORKS OF ROBERT BROWNING
BY MRS. SUTHERLAND ORR
"No pause i' the leading and the light!" _The Ring and the Book_, vol. ix. p. 226.
LONDON G. BELL AND SONS, LTD. 1927
_First Published May 1885._ _Second Edition, 1886._ _Third Edition, 1887._ _Fourth Edition, 1889._ _Fifth Edition, 1890._ _Sixth Edition, 1892._ _Reprinted 1895, 1899, 1902, 1907, 1910, 1913, 1919, 1923._
PRINTED IN GREAT BRITAIN BY PURNELL AND SONS PAULTON, SOMERSET, ENGLAND
PREFACE TO THE FIRST EDITION.
This book was written at the request of some of the members of the Browning Society, and was originally intended to be a primer. It bears the marks of this intention in its general scheme, and in the almost abrupt brevity which the desired limits of space seemed to impose on its earlier part. But I felt from the first that the spirit of Mr. Browning's work could neither be compressed within the limits, nor adapted to the uses, of a primer, as generally understood; and the book has naturally shaped itself into a kind of descriptive Index, based partly on the historical order and partly or the natural classification of the various poems. No other plan suggested itself, at the time, for bringing the whole series of these poems at once under the reader's eye: since a description which throughout followed the historical order would have involved both lengthiness and repetition; while, as I have tried to show, there exists no scheme of natural classification into which the whole series could have been forced. I realize, only now that it is too late, that the arrangement is clumsy and confusing: or at least has become so by the manner in which I have carried it out; and that even if it justify itself to the mind of my readers, it can never be helpful or attractive to their eye, which had the first right to be considered. That I should have failed in a first attempt, however earnest, to meet the difficulties of such a task, is so natural as to be almost beyond regret, where my credit only is concerned; but I shall be very sorry if this result of my inexperience detracts from any usefulness which the Handbook might otherwise possess as a guide to Mr. Browning's works. I note also, and with real vexation, some blunders of a more mechanical kind, which I might have been expected to avoid.
I have been indebted for valuable advice to Mr. Furnivall; and for fruitful suggestion to Mr. Nettleship, whose proposed scheme of classification I have in some degree followed.
A. ORR.
_March 2nd, 1885._
PREFACE TO THE SECOND EDITION.
In preparing the Handbook for its second edition, my first endeavour has been to correct, as far as possible, the faults which I acknowledged in my Preface to the first. But even before the time for doing so
Table of contents (by pages)
- 1: A Handbook to the Works of Browning (6th ed.)
- 2: The present edition of the Handbook includes a summary of Mr
- 3: Still cling to the earlier editions
- 4: Prologue to Pacchiarotto and other Poems
- 5: Browning's poetic genius in one phrase
- 6: Browning is a metaphysical poet
- 7: Browning is a metaphysical poet
- 8: And here again his theism asserts itself
- 9: 1 his paternal grandmother a Creole
- 10: The harsh and involved passages in Sordello
- 11: He treats consonants as the backbone of the language
- 12: The same arms were worn by Captain Micaiah Browning
- 13: It imitates the turning of the wheel on which Ixion is bound
- 14: Unlike Paracelsus and Sordello
- 15: The reasons which he elsewhere asserts
- 16: But Festus accompanies Paracelsus throughout the drama
- 17: As Paracelsus represents the intellectual
- 18: Paracelsus has escaped from Bale
- 19: Second wife of Eccelino da Romano
- 20: The ferocious Eccelino the Third
- 21: For Sordello had been foreshadowed in Aprile
- 22: Browning re edited Sordello in 1863
- 23: Eglamor accepts his defeat with touching gentleness
- 24: But Sordello shrinks from the trial
- 25: Sordello has entered on a new phase of existence
- 26: He sees his old comrade Eccelino
- 27: Or of knowledge like Hildebrand
- 28: Salinguerra paces the narrow floor
- 29: Sordello is at best deceiving himself
- 30: Marries a daughter of Eccelino the monk
- 31: Which is its modern equivalent
- 32: The dramas are Strafford
- 33: The evidence is still stronger in Pippa Passes
- 34: Of which the time is 1730 and 31
- 35: Of which Hakeem must have formed the last
- 36: But Djabal and Anael are inseparably united
- 37: And she will not forbid Mertoun to come
- 38: Of which the scene is the palace at Juliers
- 39: Chiappino is best understood by comparison with Luitolfo
- 40: He has made friends with Chiappino
- 41: Luria was still working for her success Tiburzio
- 42: But Norbert will not be prompted
- 43: Friend of the Franceschini family
- 44: And a pure gold ornament remains
- 45: Lays all the blame of it on the Comparini
- 46: They travelled day and night till they reached Castelnuovo
- 47: Instantly threw himself on Violante Comparini
- 48: Patrizj pursued his journey without rest
- 49: The attempt made by him to defraud his accomplices
- 50: Canon Caponsacchi throws comfits at Pompilia in the theatre
- 51: And flatters poor foolish Violante
- 52: Tertium Quid is sometimes flippant in tone
- 53: And Caponsacchi became a priest
- 54: Caponsacchi saw through the trick
- 55: Pompilia is dying he too is dead to the world
- 56: The formal result of this enquiry was unfavourable to her
- 57: There is no doubt in his mind that Guido deserves to die
- 58: And how John reinstated Stephen and cursed Formosus
- 59: Euripides felt his way in the darkness
- 60: The speaker is no longer Count Guido Franceschini
- 61: The Abate be alive a year hence
- 62: The writer laughs at their pleas and proofs
- 63: And is in keeping with the spirit of his defence
- 64: Pompilia's perfect fame is restored
- 65: Hippolytos still lies unconscious
- 66: Molinos was the founder of an exaggerated Quietism
- 67: 32 or The Last Adventure of Balaustion
- 68: The captain pleads in vain that they are Kaunians
- 69: Balaustion means wild pomegranate flower
- 70: Not so Euthykles and Balaustion
- 71: Aristophanes alone remained grave
- 72: Again Balaustion has her answer
- 73: To those who call Saperdion the Empousa
- 74: If Balaustion will not admit the defeat
- 75: ' a play written by Euripides for the same end
- 76: Has Euripides succeeded any better
- 77: And now Euthykles and Balaustion are nearing Rhodes
- 78: A character in the Acharnians of Aristophanes not a god
- 79: Female names in the Thesmophoriazusae
- 80: Fifine at the Fair is a defence of inconstancy
- 81: Elvire gives tokens of perturbation
- 82: He bids Elvire see herself as part of it as the true Helen
- 83: Elvire makes short work of his poetic theories
- 84: For Elvire may be trusted implicitly
- 85: Elvire shall henceforth suffice to him
- 86: Prince Hohenstiel descries upon it two blots
- 87: The eyes which craved light alone
- 88: With nothing to explain its contortions
- 89: Hohenstiel Schwangau had a passion for fighting
- 90: Of Hohenstiel Schwangau who has a duty to perform
- 91: It is addressed to a semi freethinker
- 92: Gigadibs considers the courage of his convictions
- 93: Gigadibs has said If you must hold a dogmatic faith
- 94: Then finding his patron unconvinced
- 95: CHRISTMAS EVE AND EASTER DAY are two distinct poems
- 96: Go home and venerate the myth on which he has experimented
- 97: The sceptic denies that God demands such a sacrifice
- 98: Content in their earthly prison
- 99: Browning lies precisely in its right to exclude them
- 100: Even to its preponderating unhappiness
- 101: But has no demonstrated certainty
- 102: And Protus sends a letter to be forwarded to him
- 103: The EPISTLE of Karshish is addressed to a certain Abib
- 104: 'Lieth flat and loveth Setebos
- 105: On islets yet unnamed amid the sea
- 106: For the doctrine is that of Divine love
- 107: And the climax of the earthly life is attained
- 108: Their image will do all that the reality has done
- 109: And its chiefly dramatic character
- 110: The sight of her Campanile brings Giotto to his mind
- 111: 202 The organist admires Master Hugues
- 112: TRANSCENDENTALISM is addressed to a young poet
- 113: It may never emerge in must from vat
- 114: And BIFURCATION raise questions of conduct
- 115: The dramatic turns lyric poet for the one only
- 116: As light rays scattered by a prism
- 117: A famous poet was singing to his lyre
- 118: Published in Dramatic Lyrics
- 119: BY THE FIRESIDE is a retrospect
- 120: And a few drops of thundery rain
- 121: Beginning with a serenade from a gondola
- 122: Enduring patiently when the harvest failed
- 123: Can rescue her from that dishonour
- 124: Balaustion who is also the narrator
- 125: Vortex itself is used in derision of Socrates
- 126: When it was sold to Marchese Riccardi
- 127: The religious sentiment in SAUL anticipates Christianity
- 128: Represents the old Testament Theism
- 129: Published in Dramatic Romances and Lyrics
- 130: FRA LIPPO LIPPI is a lively monologue
- 131: So Abt Vogler consoles himself
- 132: The former represents an angel
- 133: ANDREA DEL SARTO Men and Women
- 134: Published in Bells and Pomegranates
- 135: 1876 might serve equally as a study for jealousy
- 136: Here Miranda built and improved
- 137: A Belvedere which he had constructed in his grounds
- 138: Being acquainted with the tragedy of Clairvaux
- 139: It is chiefly enacted in the parlour of a country inn
- 140: The younger follows with his own
- 141: Rene took the incident as an omen
- 142: Voltaire bitterly resented the joke
- 143: CENCIAJA signifies matter relating to the Cenci
- 144: Childe roland to the dark tower came
- 145: Mounted it with the gipsy behind her
- 146: The gipsy had shrunk back into her original character
- 147: Giacomo PACCHIAROTTO was a painter of Siena
- 148: Pacchiarotto was conspicuous by his eloquence
- 149: The task was undertaken by Buti
- 150: So the wag thinks his victim has sufficiently suffered
- 151: Published in Dramatic Romances and Lyrics
- 152: The other after his death by Lady Eastlake
- 153: Footnote 81 Le Croisic is in the Loire Inferieure
- 154: Published in Dramatic Romances and Lyrics
- 155: Published in Dramatic Lyrics
- 156: While the Hungarian Tokay Tokayer Ausbruch
- 157: The question is that of a duel
- 158: The world has been no vale of tears to me
- 159: Rise from their moss grown graves
- 160: Theocrite sickened and seemed to die
- 161: The legend also asserts that these facts to which Mr
- 162: Drew the line of persecution closer and closer
- 163: Whose bodies he saw exposed at the Morgue 103 in Paris
- 164: Was found dead where Martin Relph had seen him
- 165: Pheidippides himself tells his first adventure
- 166: IVAN IVANOVITCH is the reproduction
- 167: Who plays an important part in Ned Bratts
- 168: When Robert Clive was first in India
- 169: ' wept Hoseyn 'You never have loved my Pearl
- 170: Satan vanishes through the ceiling
- 171: Which Monaldeschi has chosen to scale
- 172: Together with the friendship of Zeus
- 173: Jochanan Hakkadosh fell asleep
- 174: The name of PAMBO or Pambus is known to literature
- 175: Whose emblem was the salamander
- 176: Contains the lesson which determined Ferishtah
- 177: The Lyric shows how the Finite may prefigure the Infinite
- 178: Ferishtah replies that to know the power by its operation
- 179: An historical personage used fictitiously
- 180: Parleyings with certain people of importance in their day
- 181: Apollo urges his request that Admetus
- 182: Carlyle reminds his opponent of that other parable
- 183: The saint in question was Marianne Pajot
- 184: De Lassay was much impressed by this occurrence
- 185: He has the secret which Bubb Dodington had not
- 186: 128 Furini was not only a skilful artist
- 187: It is so that Furini has lived and learned
- 188: 132 in the lengthening shadows
- 189: And then arrested at those of Avison
- 190: For the work of Fust is complete
- 191: As the real Fust was a goldsmith's son
- 192: How he supposes 'Circe' is spelt in Greek
- 193: Afterwards given in Pippa Passes sc
- 194: And Up jumped Tokay on our table
- 195: By Elizabeth Barrett and Robert Browning
- 196: Twenty lines in The Keepsake for 1856
- 197: Under the title of Eurydice to Orpheus
- 198: Woolner in the International Exhibition of 1862
- 199: Between November 1868 and February 1869
- 200: La saisiaz the two poets of croisic
- 201: Published in the Pall Mall Gazette
- 202: Reappeared in Lairesse in Parleyings
- 203: Contains a PREFATORY NOTE signed R
- 204: 186 384 Agamemnon of AEschylus
- 205: 11 367 Cristina 1842 iii
- 206: 147 368 Here's to Nelson's Memory 1845 iii
- 207: 186 372 Karshook's Ben Wisdom 1856 372 Keepsake
- 208: 154 368 Morning Night and Morning 1845 iii
- 209: 207 386 Dramatic Idyls II
- 210: Sonnet on 1884 370 Shelley
- 211: 168 Dervish though yet un dervished
- 212: Their Pope vi
- 213: Sixteen hundred ninety two xiv
- 214: 78 Would that the structure brave
- 215: Epilogue to Dramatis Personae
- 216: Prologue to Pacchiarotto and other Poems
