+----------------------------------------------------+ |Transcriber's note | | | |Minor punctuation errors have been corrected without| |notice. The author's spelling has been maintained. | +----------------------------------------------------+
IF YOU DON'T WRITE FICTION
By CHARLES PHELPS CUSHING
[Illustration]
NEW YORK ROBERT M. McBRIDE & COMPANY 1920
Copyright, 1920, by ROBERT M. McBRIDE & CO.
_Printed in the United States of America_
Published. June, 1920
TO COUSIN ANN
who "doesn't write fiction," but who is ambitious to market magazine articles, this little book is affectionately dedicated. If it can save her some tribulations along the road that leads to acceptances, the author will feel that his labors have been well enough repaid.
The author thanks the editors of _The Bookman_, _Outing_ and the _Kansas City Star_ for granting permission to reprint certain passages that here appear in revised form.
C. P. C.
PREFACE
The publisher assures me that no one but a book reviewer ever reads prefaces, so I seize upon the opportunity to have a tete-a-tete with my critics. Gentlemen, my cards are face up on the table. I have declared to the publisher that nearly every American who knows how to read longs to find his way into print, and should appreciate some of the dearly bought hints herein contained upon practical journalism. And, as I kept my face straight when I said it, he may have taken me seriously. Perhaps he thinks he has a best seller.
But this is just between ourselves. As he never reads prefaces, he won't suspect unless you tell him. My own view of the matter is that Harold Bell Wright need not fear me, but that the editors of the Baseball Rule Book may be forced to double their annual appropriation for advertising in the literary sections.
As the sport of free lance scribbling has a great deal in common with fishing, the author of this little book may be forgiven for suggesting that in intention it is something like Izaak Walton's "Compleat Angler," in that it attempts to combine practical helpfulness with a narrative of mild adventures. For what the book contains besides advice, I make no apologies, for it is set down neither in embarrassment nor in pride. Many readers there must be who would like nothing better than to dip into chapters from just such a life as mine. Witness how Edward FitzGerald, half author of the "Rubaiyat," sighed to read more lives of obscure persons, and that Arthur Christopher Benson, from his "College Window," repeats the wish and adds:
Table of contents (by pages)
- 1: If You Don't Write Fiction by Cushing
- 2: From the first day that they set foot in editorial rooms
- 3: Timeliness of some sort is important
- 4: He has something like a future in the newspaper office
- 5: But eviry wan has an opporchunity
- 6: The more legible the manuscript
- 7: When you write for the magazines
- 8: Go out and buy a folding kodak
- 9: Requires the greatest width of shutter aperture or
- 10: Set your pointer at 8 and take his full length
- 11: It is a lack of market judgment
- 12: The Outlook and The Independent
- 13: The lithograph should serve for an illustration
- 14: The snapshot box had been useless baggage for two hours
- 15: The carrying case strapped to the tripod top
- 16: An account of the Kansas Amish
- 17: Most of them are graduates of the newspaper school
- 18: In a street of brownstone fronts in mid town Manhattan
- 19: Any other island but Manhattan
- 20: ' It is simply diabolo for grown ups
- 21: Drama or journalism a little of everything
- 22: There is no dark art to salesmanship
- 23: Learn what real salesmanship is
- 24: All editors read unsolicited material hopefully and eagerly
- 25: Often enough it is not his vastly superior craftsmanship
- 26: Besides being dealt with in the general magazines
- 27: Have dealt with fiction in scores of worth while volumes
- 28: A confession may be in order your deponent testifies freely
- 29: CHAPTER XFOREVER AT THE CROSSROADS Keep studying
- 30: Start with the little magazines
