Produced by Alfred J. Drake. HTML version by Al Haines.
IMAGINARY PORTRAITS
By WALTER HORATIO PATER
E-text Editor: Alfred J. Drake, Ph.D. Electronic Version 1.0 / Date 10-12-01
NOTES BY THE E-TEXT EDITOR:
Reliability: Although I have done my best to ensure that the text you read is error-free in comparison with an exact reprint of the standard edition--Macmillan's 1910 Library Edition--please exercise scholarly caution in using it. It is not intended as a substitute for the printed original but rather as a searchable supplement. My e-texts may prove convenient substitutes for hard-to-get works in a course where both instructor and students accept the possibility of some imperfections in the text, but if you are writing a scholarly article, dissertation, or book, you should use the standard hard-copy editions of any works you cite.
Pagination and Paragraphing: To avoid an unwieldy electronic copy, I have transferred original pagination to brackets. A bracketed numeral such as [22] indicates that the material immediately following the number marks the beginning of the relevant page. I have preserved paragraph structure except for first-line indentation.
Hyphenation: I have not preserved original hyphenation since an e-text does not require line-end or page-end hyphenation.
Greek typeface: For this full-text edition, I have transliterated Pater's Greek quotations. If there is a need for the original Greek, it can be viewed at my site, http://www.ajdrake.com/etexts, a Victorianist archive that contains the complete works of Walter Pater and many other nineteenth-century texts, mostly in first editions.
CONTENTS
I. A Prince of Court Painters: 3-44
II. Denys L'Auxerrois: 45-77
III. Sebastian Van Storck: 79-115
IV. Duke Carl of Rosenmold: 117-153
IMAGINARY PORTRAITS
I. A PRINCE OF COURT PAINTERS
EXTRACTS FROM AN OLD FRENCH JOURNAL
Valenciennes, September 1701.
[5] They have been renovating my father's large workroom. That delightful, tumble-down old place has lost its moss-grown tiles and the green weather-stains
Table of contents (by pages)
- 1: Imaginary Portraits by Walter Pater
- 2: Antony Watteau comes here often now
- 3: Young Watteau has returned home proof
- 4: At which Antony Watteau declares himself in dismay
- 5: And had been named also Peintre du Roi
- 6: Antony Watteau was standing near me
- 7: Of old Valenciennes fashion that sombre style
- 8: And it happened that Monseigneur le Prince de Cambrai
- 9: We were sitting in the Watteau chamber for the coolness
- 10: De Crozat gives his musical parties there
- 11: For in truth Antony Watteau is still the mason's boy
- 12: Anthony Watteau is an excellent judge of literature
- 13: That veritable home of the consumptive
- 14: Has lent him a house at Nogent sur Marne
- 15: What follows is a quaint legend
- 16: A master reared in the architectural school of Sens
- 17: The courteous owner readily showed me his tapestries
- 18: A peculiar usage long perpetuated itself at Auxerre
- 19: For the pleasure of the Count of Auxerre
- 20: Carrying their lighted torches over the vine clad hills
- 21: Would he make himself Count of Auxerre
- 22: He could but compound sweet incense for the sanctuary
- 23: Upon his house of reeds and pipes
- 24: The old count of Chastellux was lately dead
- 25: Seemed wellnigh to suffocate Sebastian van Storck
- 26: The movements of Sebastian van Storck
- 27: For though Sebastian van Storck refused to travel
- 28: The Burgomaster van Storck entertained a party of friends
- 29: But though Sebastian liked to breathe
- 30: The portrait of a certain Carthusian prior
- 31: At the elegant outsides of life
- 32: Mademoiselle van Westrheene was also come
- 33: Fine saying of Doctor Baruch de Spinosa
- 34: Is but in that practical corollary one's wisdom
- 35: The most vivid of finite objects
- 36: And at length this dark fanaticism
- 37: That Sebastian had lost his life
- 38: Flowing through the grand ducal exchequer
- 39: The illustrious Mansard had actually promised to come
- 40: Why not bring pots and wheels to Rosenmold
- 41: The deputy organist of the grand ducal chapel
- 42: Incorruptible heraldry reasserted
- 43: With its high wall of etiquette
- 44: At which precise 141 moment the tall Duke Carl
- 45: Or only a crazy summons to the vintagers
- 46: Duke Carl became fairly captive to the Middle Age
- 47: The Alps were an apex of natural glory
- 48: Duke Carl had effected arrangements for his marriage
- 49: As precursors Goethe gratefully recognised them
