"A JOY FOR EVER"; (AND ITS PRICE IN THE MARKET): BEING THE SUBSTANCE (WITH ADDITIONS) OF TWO LECTURES ON THE POLITICAL ECONOMY OF ART, _Delivered at Manchester, July 10th and 13th, 1857._
BY
JOHN RUSKIN, LL.D.,
HONORARY STUDENT OF CHRIST CHURCH, AND HONORARY FELLOW OF CORPUS CHRISTI COLLEGE, OXFORD.
"A thing of beauty is a joy for ever."--KEATS.
SIXTEENTH THOUSAND. LONDON: GEORGE ALLEN, 156, CHARING CROSS ROAD. 1904. [_All rights reserved_] Printed by BALLANTYNE, HANSON & CO. At the Ballantyne Press
PREFACE
TO THE RE-ISSUE OF 1880.
The title of this book,--or, more accurately, of its subject;--for no author was ever less likely than I have lately become, to hope for perennial pleasure to his readers from what has cost himself the most pains,--will be, perhaps, recognised by some as the last clause of the line chosen from Keats by the good folks of Manchester, to be written in letters of gold on the cornice, or Holy rood, of the great Exhibition which inaugurated the career of so many,--since organized, by both foreign governments and our own, to encourage the production of works of art, which the producing nations, so far from intending to be their "joy for ever," only hope to sell as soon as possible. Yet the motto was chosen with uncomprehended felicity: for there never was, nor can be, any essential beauty possessed by a work of art, which is not based on the conception of its honoured permanence, and local influence, as a part of appointed and precious furniture, either in the cathedral, the house, or the joyful thoroughfare, of nations which enter their gates with thanksgiving, and their courts with praise.
"Their" courts--or "His" courts;--in the mind of such races, the expressions are synonymous: and the habits of life which recognise the delightfulness, confess also the sacredness, of homes nested round the seat of a worship unshaken by insolent theory: themselves founded on an abiding affection for the past, and care for the future; and approached by paths open only to the activities of honesty, and traversed only by the footsteps of peace.
The exposition of these truths, to which I have given the chief energy of my life, will be found in the following pages first undertaken systematically and in logical sequence; and what I have since written on the political influence of the Arts has been little more than the expansion of these first lectures, in the reprint of which not a sentence is omitted or changed.
The supplementary papers added contain, in briefest form, the aphorisms respecting principles of art-teaching of which the attention I gave to this subject during the continuance of my Professorship at Oxford confirms me in the earnest and contented re-assertion.
JOHN RUSKIN,
BRANTWOOD,
_April 29th, 1880._
PREFACE
TO THE 1857 EDITION.
Table of contents (by pages)
- 1: A Joy For Ever by John Ruskin
- 2: Nothing more than citizen's economy
- 3: The just and wholesome contempt
- 4: In lamenting and lamentable crowds
- 5: Economy of money means saving money economy of time
- 6: In private and household economy
- 7: That his inactivity was his destruction
- 8: That of fraternity or brotherhood
- 9: The proposed systems or restraints may be advisable
- 10: Whose mouths must be held in with bit and bridle
- 11: Generally make painters of themselves
- 12: Repress his insolence if it is slovenly
- 13: How best to employ the genius we discover
- 14: Give him marble to carve not granite
- 15: So precisely and completely done by Pietro di Medici
- 16: And you have one woodcut for a shilling instead of twelve
- 17: Cheapest and best worth having
- 18: And was the master of Michael Angelo
- 19: Note 8 See note in Addenda on the nature of property
- 20: And employ a certain number of sempstresses for a given time
- 21: Simply for unnecessary breadths of slip and flounce
- 22: One of the frescoes by Ambrozio Lorenzetti
- 23: The accumulation and distribution of art
- 24: If you possess twenty cocoanuts
- 25: And Dante and Homer are none the worse for that
- 26: But by letting the monuments stand
- 27: You talk of the scythe of Time
- 28: Painted by Titian and Veronese
- 29: What should we do with houses in Verona
- 30: Nor ought the motive of gratitude
- 31: Amusing themselves especially with the best Vandykes
- 32: If the angels of Assisi fade from its vaults
- 33: Is the first practical outcome of the matter
- 34: And get an available corner for yourselves
- 35: And perhaps you may have all your fine pictures repainted
- 36: And giving no stimulus to exertion
- 37: Nourishing the ostentation of others
- 38: Buy the picture of a dead artist
- 39: With cheap furniture and bare walls
- 40: And what Greek armour was like in form
- 41: But we ought not to admit a cycle at all
- 42: Or if the sempstresses tried to break each other's needles
- 43: But we should have no mercantile catastrophes
- 44: With minor council halls in other cities
- 45: Who made him more persevering or more sagacious than others
- 46: That you might tread upon them
- 47: Paternal government over the rest
- 48: That human lawgivers have a right to do this
- 49: Let us discuss these together quietly
- 50: And the law of right being manifestly in this as
- 51: In literary and scientific teaching
- 52: Because it may imply improvidence in early life
- 53: The monetary resources of the country
- 54: Take much into consideration this collateral monetary result
- 55: If Cimabue had not by chance found him drawing
- 56: Its youth from destructive influences
- 57: By all means give it lavender to distil
- 58: But the schoolboy is enriched also
- 59: A downright fact may be told in a plain way
- 60: And between true and false wealth
- 61: As much land as he needs to feed from is also inalienable
- 62: And thereby prolonged another man's life
- 63: Consisting of documents or money
- 64: Be carried on by valuable currencies
- 65: From which they cannot pause without culpability
- 66: A system of baseless and dishonourable commerce
- 67: A pure Greek connexion of art with arete
- 68: No less than the reward of toil
- 69: Which prevent him from either attaining excellence himself
- 70: The standard of pen drawing with a wash
- 71: REMARKS ADDRESSEDTO THE MANSFIELD ART NIGHT CLASS Oct
- 72: When everybody could wear them
- 73: You think him an insensible spider
- 74: It will make you wiser and happier
- 75: If there be among us any Manhood
- 76: While we leave the sinner bareheaded in Cocytus
- 77: Or the privileges of the elect
- 78: As one of that bewildered populace
- 79: Tested by increased imagination
- 80: Let thistles grow instead of wheat
- 81: Mistaken blame worse than mistaken praise
- 82: Best claimed by offering obedience
- 83: Educational training for artists
- 84: Crowned by charity Siena fresco
- 85: Manchester Art Treasures Exhibition 1858
- 86: Collections of Florentine Gallery photos
- 87: Their right to State education and support
- 88: Their modern social position wrong
