A MATTER OF PROPORTION
_In order to make a man stop, you must convince him that it's impossible to go on. Some people, though, just can't be convinced._
BY ANNE WALKER
Illustrated by Bernklau
[Illustration]
In the dark, our glider chutes zeroed neatly on target--only Art Benjamin missed the edge of the gorge. When we were sure Invader hadn't heard the crashing of bushes, I climbed down after him. The climb, and what I found, left me shaken. A Special Corps squad leader is not expendable--by order. Clyde Esterbrook, my second and ICEG mate, would have to mine the viaduct while my nerve and glycogen stabilized.
We timed the patrols. Clyde said, "Have to wait till a train's coming. No time otherwise." Well, it was his show. When the next pair of burly-coated men came over at a trot, he breathed, "Now!" and ghosted out almost before they were clear.
I switched on the ICEG--inter-cortical encephalograph--planted in my temporal bone. My own senses could hear young Ferd breathing, feel and smell the mat of pine needles under me. Through Clyde's, I could hear the blind whuffle of wind in the girders, feel the crude wood of ties and the iron-cold molding of rails in the star-dark. I could feel, too, an odd, lilting elation in his mind, as if this savage universe were a good thing to take on--spray guns, cold, and all.
We wanted to set the mine so the wreckage would clobber a trail below, one like they'd built in Burma and Japan, where you wouldn't think a monkey could go; but it probably carried more supplies than the viaduct itself. So Clyde made adjustments precisely, just as we'd figured it with the model back at base. It was a tricky, slow job in the bitter dark.
I began to figure: If he armed it for this train, and ran, she'd go off while we were on location and we'd be drenched in searchlights and spray guns. Already, through his fingers, I felt the hum in the rails that every tank-town-reared kid knows. I turned up my ICEG. "All right, Clyde, get back. Arm it when she's gone past, for the next one."
I felt him grin, felt his lips form words: "I'll do better than that, Willie. Look, Daddy-o, no hands!" He slid over the edge and rested elbows and ribs on the raw tie ends.
We're all acrobats in the Corps. But I didn't like this act one little bit. Even if he could hang by his hands, the heavy train would jolt him off. But I swallowed my thoughts.
He groped with his foot, contacted a sloping beam, and brought his other foot in. I felt a dull, scraping slither under his moccasin soles. "Frost," he thought calmly, rubbed a clear patch with the edge of his foot, put his weight on it, and transferred his hands to the beam with a twist we hadn't learned in Corps school. My heart did a double-take; one slip and he'd be off into the gorge, and the frost stung, melting under his bare fingers. He lay in the trough of the massive H-beam, slid down about twenty feet to where it made an angle with an upright, and wedged himself there. It took all of twenty seconds, really. But I let out a breath as if I'd been holding it for minutes.
Table of contents (by pages)
- 1: A Matter of Proportion by Anne Walker
- 2: Searchlights began skimming the bridge
- 3: My friend and ICEG mate what made him tick
- 4: Transplanting legs from Ippalovsky
- 5: Just bundles of fibers running up and down
- 6: He applied to see General Filipson
- 7: Or call help to get him to HQ and have Filipson bark
- 8: He switched on his ICEG to record what might happen
- 9: With handholds in a frieze of lotus
- 10: And this time his cleated foot cut through snow to stone
