Quo Vadis: a narrative of the time of Nero

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QUO VADIS

A NARRATIVE OF THE TIME OF NERO

by Henryk Sienkiewicz

Translated from the Polish by Jeremiah Curtin

TO AUGUSTE COMTE,

Of San Francisco, Cal.,

MY DEAR FRIEND AND CLASSMATE, I BEG TO DEDICATE THIS VOLUME.

JEREMIAH CURTIN

INTRODUCTORY

IN the trilogy "With Fire and Sword," "The Deluge," and "Pan Michael," Sienkiewicz has given pictures of a great and decisive epoch in modern history. The results of the struggle begun under Bogdan Hmelnitski have been felt for more than two centuries, and they are growing daily in importance. The Russia which rose out of that struggle has become a power not only of European but of world-wide significance, and, to all human seeming, she is yet in an early stage of her career.

In "Quo Vadis" the author gives us pictures of opening scenes in the conflict of moral ideas with the Roman Empire,--a conflict from which Christianity issued as the leading force in history.

The Slays are not so well known to Western Europe or to us as they are sure to be in the near future; hence the trilogy, with all its popularity and merit, is not appreciated yet as it will be.

The conflict described in "Quo Vadis" is of supreme interest to a vast number of persons reading English; and this book will rouse, I think, more attention at first than anything written by Sienkiewicz hitherto.

JEREMIAH CURTIN

ILOM, NORTHERN GUATEMALA,

June, 1896

QUO VADIS

Quo Vadis A Narrative of the Time of Nero

Chapter I

PETRONIUS woke only about midday, and as usual greatly wearied. The evening before he had been at one of Nero's feasts, which was prolonged till late at night. For some time his health had been failing. He said himself that he woke up benumbed, as it were, and without power of collecting his thoughts. But the morning bath and careful kneading of the body by trained slaves hastened gradually the course of his slothful blood, roused him, quickened him, restored his strength, so that he issued from the elaeothesium, that is, the last division of the bath, as if he had risen from the dead, with eyes gleaming from wit and gladness, rejuvenated, filled with life, exquisite, so unapproachable that Otho himself could not compare with him, and was really that which he had been called,--arbiter elegantiarum.

He visited the public baths rarely, only when some rhetor happened there who roused admiration and who was spoken of in the city, or when in the ephebias there were combats of exceptional interest. Moreover, he had in his own "insula" private baths which Celer, the famous contemporary of Severus, had extended for him, reconstructed and arranged with such uncommon taste that Nero himself acknowledged their excellence over those of the Emperor, though the imperial baths were more extensive and finished with incomparably greater luxury.

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